Reviews

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"... Kathryn Radcliffe lit up the role of Trainbearer and Overseer splendidly  ..."

Paul Selar

Australian Arts Review

"Portrayed with an elegantly poised demeanour and touch of vulnerability, soprano Kathryn Radcliffe sang Leïla with radiance and clarity, her Act 2 aria Comme autrefois especially mellifluous and seductive as Leïla ponders the times when she would secretly meet Nadir."

Paul Selar

Limelight Magazine

"...  Soprano Kathryn Radcliffe shines as the priestess Leila ...."

Madeline Roycroft

The Sydney Morning Herald

Why don’t we see more pregnant performers? This soprano hopes we will.

Catherine Lambert

The Age

 On the Couch with Kathryn Radcliffe

"... best of all is Radcliffe as the flighty, doomed nymph. Her crisp, warm soprano runs effortlessly over the top of the music, and the delicacy of her phrasing gives the role a heartbreaking melancholic core from which the emotion wells. She’s certainly a singer to watch."

Tim Byrne

Australian Arts Review

"Radcliffe’s soprano has a splendid, shimmering quality, while her gestures, pale painted face and voluminous red dress suggest a Disney princess porcelain doll. "

Patricia Maunder

Limelight Magazine

"... soprano Kathryn Radcliffe is radiant as ever, her pure and crystalline tone floating and lingering wondrously, albeit melancholically, as she suffers rejection ..."

OperaChaser

"Her voice rings with a crystalline clarity, and leaps beautifully into coloratura ornamentation."

Patricia Maunder

Limelight Magazine

"...  vocally magnificent. "

Bridget Davies

Sydney Morning Herald 

Green Room Award winner in 

1. Outstanding Production,

2. Best Director,

3. Set, Costume and Lighting.

" ... new bel canto star in the making – Melbourne soprano Kathryn Radcliffe ..."

Victoria Watson

Sounds Like Sydney

"Kathryn Radcliffe sang the role with lushness and purity ... her voice sailing high and gloriously from below"

Opera Chaser

"Kathryn Radcliffe dazzled with Berta’s aria in Act Two"

Tony Way

Limelight Magazine

"Kathryn was the first to take to the stage, performing Ach ich liebte from Mozart's Die Entführung aus dem Serail and O beau pays de la Touraine from Meyerbeer's Les Huguenots with unwavering skill"

"... delicate and well-established voice, it’s a doubtless wonder why Kathryn was welcome onto 3MBS’ The Talent to give a stunning performance."